“Aargh,”
says Joseph “Pegleg” Stewart, President of The Southeast Chapter of the
International Pirates’ Association. “Johnny Depp. He’s a swine, I tell ya. And
I tell ya true. Ain’t never fired a black powder pistol. Never swung, boots
first, onto the deck of a rich man’s vessel. Not an ounce a pirate in that
lad.”
“Here,
here,” shout the eight members of the IPA, clanking their flagons of ale loudly
in assent.
“Being
a pirate’s a manly occupation,” chimes in Black Bart, the organization’s
secretary and a champion climber and swinger of ropes. “Someone should tell
Depp that it’s swashbuckling, not swishbuckling.” A roar of derisive laughter
erupts from the small crowd gathered on the deck of the schooner anchored off
Big Pine Key for the annual gathering of the IPA’s Southeest Chapter.
On
the deck, two young pirates grapple briefly until one tosses his adversary
overboard. Pegleg Stewart eyes the water until the young pirate’s hat appears
on the surface, followed by the air-gulping young man. “Let the sharks have
‘im,” he shouts and another round of cheers and flagon-bashing erupts.
“We’re
deeper and more complex than Depp’s portrayal would indicate,” the pirate they
call “The Philosopher” says. He sits on a treasure chest and tugs lightly at
his hoop earring with his right hand as he speaks. The Philosopher has been
pirating for forty years, though lately he’s been relegated to spyglass duties
and the occasional fuse-lighting.
“Frankly, we pirates are victims of a history of stereotypical portrayal
by Hollywood. I mean, look. The eye patch, the wooden leg, aargh this and aargh
that, the parrot thing—that one really gets me. Do ya see any parrots aboard
here today? And then Depp comes along and, sure, he’s pretty to look at. But
suddenly he, Johnny Depp, is the iconic pirate. This skinny runt of a man, this
rock star pirate. Now, if you say you’re a pirate, people say, Oh, like Johnny
Depp! To which I say, No, no, a thousand times no.” Cheers erupt once again
among the dozen pirates who have been listening closely, ears cocked, unpatched
eyes bulging, to the Philosopher.
“We’d
‘ave ‘im walk the plank, we would,” says Pegleg Stewart. “See what the sharks
think of his “performance.”
Overcome
with joy at the image of Depp among the sharks, James “Fatboy” Jones sprays a
mouthful of beer on his comrades, upon which three fellow pirates jump him and
wrestle him to the deck.
The
Philosopher pulls out a knife and begins whittling, then pauses. “What
Hollywood misses,” he begins, “is our depth. Fatboy, for example, has an
abiding interest in Latin American literature, magical realism and that sort of
thing. He’s written quite eloquently about the Colombian author Gabriel Garcia
Marquez for a number of critical journals. And Pegleg himself has recently
penned a scientific paper on the effects of climate change on the pirate’s
profession. These subtleties were missed entirely by Mr. Depp.”
The
Philosopher completes his thought and leaps onto a nearby wooden keg. “Ain’t
that right, boys!” he shouts to wild cheering.
“He’ll
be singing a different tune when we get a hold of ‘im,” shouts Pegleg. “Jumpin’
Jack Flash,” he spits. “We ain’t no Rollin’ Stones rock star pirates. We’re
hard workin’ seamen.”
“Bring
‘im aboard,” shouts the pirate they call Scalded Dog. “We’ll slice that pretty’s
throat from ear to ear.”
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